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American film critic Elvis Mitchell’s kaleidoscopic documentary creates a definitive narrative of the Black revolution in 1970s cinema, from genre films to social realism—a work of painstaking scholarship that’s also thoroughly entertaining, an essential archival document and testament to a period of American film history unlikely to be repeated.。Young and inexperienced Sister Ann has just arrived at her next posting at Samaritan House, a Dominican order located in a disreputable neighborhood of Ghent, Belgium. Sister Ann is enthusiastic, progressive but naive, all which irks one of the senior sisters, Sister Cluny, especially the fact that Sister Ann has a prized material possession, a guitar she's named Adele. Sister ...。